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"Синтаксис личности" - это исчерпывающий путеводитель по Типологии Афанасьева, мощному инструменту, раскрывающему сложный мир человеческой личности. Автору Рахель Торпусман удалось мастерски представить этот подход в доступной и увлекательной форме. Книга разделена на четыре части: * Обзор Типологии Афанасьева и ее теоретических основ * Подробное описание 12 типов личности, включая их сильные и слабые стороны * Применение Типологии Афанасьева в различных сферах жизни, таких как...

Simon Sebag Montefiore - Prince of Princes -The Life of Potemkin

Prince of Princes -The Life of Potemkin
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Prince of Princes -The Life of Potemkin
Simon Sebag Montefiore

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Levitsky, Portraits Russes by Grand Duke Nikolai

Mikhailovich, picture courtesy of the British Library Count Alexander Dmitriyev-Mamonov, by Mikhail Shibanov, Portraits Russes by

Grand Duke Nikolai Mikhailovich, picture courtesy of the British Library Princess Varvara Golitsyna, Portraits Russes by Grand Duke Nikolai Mikhailovich,

picture courtesy of the British Library Countess Ekaterina Skavronskaya with her daughter, by Angelica Kauffman, Portraits Russes by Grand Duke Nikolai Mikhailovich, picture courtesy of the British Library

Princess Tatiana Yusupova, by E. Vigee Lebrun, Portraits Russes by Grand Duke

Nikolai Mikhailovich, picture courtesy of the British Library Portrait of Ekaterina Samoilova by Johann Baptist von Lampi (1751-1830), Portraits Russes by Grand Duke Nikolai Mikhailovich, picture courtesy of the British Library

Elizabeth Chudleigh, Duchess of Kingston, photo author's collection

Joseph II and Catherine meeting 1787, Weidenfeld & Nicolson picture collection

Charles-Joseph, Prince de Ligne, photo author's collection

Catherine walking in the park at Tsarskoe Selo, by V. L. Borovikovsky,

Weidenfeld & Nicolson picture collection The storming of the Turkish fortress of Ochakov in 1788, Odessa State Local

History Museum, photo by Sergei Bereninich, photo author's collection Count Alexander Suvorov, Portraits Russes by Grand Duke Nikolai Mikhailovich,

picture courtesy of the British Library The invitation to Potemkin's ball in the Taurida Palace, 1791, Odessa State Local

History Museum, photo by Sergei Bereninich, photo author's collection Princess Ekaterina Dolgorukaya by Johann Baptist von Lampi (1751-1830), Portraits Russes by Grand Duke Nikolai Mikhailovich, picture courtesy of the British Library

Countess Sophia Potocka by Johann Baptist von Lampi (1751-1830), Portraits Russes by Grand Duke Nikolai Mikhailovich, picture courtesy of the British Library

Prince Platon Zubov by Johann Baptist von Lampi (1751-1830), Weidenfeld &

Nicolson picture collection Potemkin's death, 1791, Odessa State Local History Museum, photo by Sergei

Bereninich, photo author's collection Potemkin's funeral, Weidenfeld & Nicolson picture collection

ACKNOWLEDGEMENTS

Over several years and thousands of miles, I have been helped by many people, from the peasant couple who keep bees on the site of Potemkin's birthplace near Smolensk to professors, archivists and curators from Peters­burg, Moscow and Paris to Warsaw, Odessa and Iasi in Rumania.

I owe my greatest debts to three remarkable scholars. The inspiration for this book came from Isabel de Madariaga, Professor Emeritus of Slavonic Studies at the University of London and the doyen of Catherinian history in the West. Her seminal work Russia in the Age of Catherine the Great changed the study of Catherine. She also appreciated the remarkable character of Potemkin and his relationship with the Empress, and declared that he needed a biographer. She has helped with ideas, suggestions and advice throughout the project. Above all, I must thank her for editing and correcting this book during sessions which she conducted with the amused authority and intellectual rigour of the Empress herself, whom she resembles in many ways. It was always I who was exhausted at the end of these sessions, not she. I lay any wisdom in this work at her feet; the follies are mine alone. I am glad that I was able to lay a wreath on her behalf on Potemkin's neglected grave in Kherson.

I must also thank Alexander B. Kamenskii, Professor of Early & Early- Modern Russian History at Moscow's Russian State University for the Humanities, and respected authority on Catherine, without whose wisdom, charm and practical help, this could not have been written. I am deeply grateful to V. S. Lopatin, whose knowledge of the archives is without parallel and who was so generous with that knowledge: Lopatin and his wife Natasha have been so hospitable during Muscovite stays. He too has read the book and given me the benefit of his comments.

I must also thank Professor J. T. Alexander for answering my questions and Professor Evgeny Anisimov, who was so helpful during my time in Petersburg. The advice of George F. Jewsbury on Potemkin's military per­formance was most enlightening. Thanks to Professor Derek Beales, who helped greatly with Josephist matters especially the mystery of the Circassian slavegirls. I should mention that he and Professor Tim Blanning, both of Sidney Sussex, Cambridge, were the supervisors whose compelling teaching of Enlightened Despotism, while I was an undergraduate, laid the foundations for this book. I want to stress my debt too to three recent works that I have used widely - Lopatin's Ekaterina i Potemkin Lichnaya Perepiska, the aforementioned book by Isabel de Madariaga, and J. T. Alexander's Catherine the Great.

*

I would like the thank the following without whom this could not have been written: His Royal Highness the Prince of Wales, for his kind help in con­nection with his work for the restoration of St Petersburg and the Pushkin Bicentenary. Sergei Degtiarev-Foster, that champion of Russian history who made many things possible from Moscow to Odessa, and Ion Florescu who made the Rumanian-Moldovian expedition such a success. Thanks also to Lord Rothschild, Professor Mikhail Piotrovsky and Geraldine Norman, chair­man, president and director of Hermitage Development Trust, who are cre­ating the permanent exhibition of Catherine the Great's treasures, including the famous Lampi portrait of Potemkin, at Somerset House in London.

I owe a debt to Lord Brabourne for reading the entire book and, for reading parts of it, to Dr Amanda Foreman, Flora Fraser, and especially to Andrew Roberts for his detailed advice and encouragement. William Hanham read the sections on art, Professor John Klier read the Jewish sections, and Adam Zamoyski read those on Poland.

In Moscow, I thank the Directors and staff of the RGADA and RGVIA archives; Natasha Bolotina, with her special knowledge on Potemkin, her mother Svetlana Romanovna, Igor Fedyukin, Dmitri Feldman, and Julia Tourchaninova and Ernst Goussinski, Professors of Education, all helped immensely. Galina Moiseenko, one of the brightest scholars of the History Department of the Russian State Humanities University, was excellent at selecting and finding documents and her historical analysis and precision were flawless.

Thanks to the following. In St Petersburg, I thank my friend Professor Zoia Belyakova, who made everything possible, and Dr Sergei Kuznetzov, Head of Historical Research of the Stroganov Palace Department of the State Russian Museum, and the staff of the RGIA. I am grateful to Professor Mikhail Piotrovsky, Director of the State Hermitage Museum (again), to Vladimir Gesev, Director of the Russian State Museum of the Mikhailovsky Palace; Liudmilla Kurenkova, Assistant to the Director of the Russian State Museum, A. N. Gusanov of the Pavlovsk Palace State Museum; Dr Elana V. Karpova, Head of the XVIII-early XXth Century Sculpture Department of the State Russian Museum, Maria P. Garnova of the Hermitage's Western Europe Department, and G. Komelova, also of the Hermitage. Ina Lokotnikova showed me the Anichkov Palace and L. I. Diyachenko was kind enough to give me a private tour, using her exhaustive knowledge, of the Taurida Palace. Thanks to Leonid Bogdanov for taking the cover-photograph of Potemkin.

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